Essay on Critical Analysis - Picassos Guernica - 1561 Words

Critical Analysis of Guernica - By Bryce Craig Spanish artist Pablo Picasso can often be collectively seen as the greatest and most influential artist of the twentieth century. In a historical sense he encompassed all that is to be a practicing modernist artist and prevailed as one of the most significant artists overall in human history. Picasso’s most well renowned painting presents to his audience a graphic reflection of the horrors and brutality of war; Guernica (1937) depicts the Spanish town of the same name being torn apart by the explosive fury that was the German air raid on the innocent and unaware village during the Spanish Civil War. The painting is currently housed in the Museo Reina Sofia, Madrid yet also has a reputable†¦show more content†¦Through his training he became proficient in countless fields but was predominately a painter and famously explored the Cubist movement. Cubism was an art movement developed in the early 20th century that was concerned with the dissembling of images and their ana lytical or synthetic reconstruction, as well as the refinement of detail and emphasis on bold shape. Picasso found artists such as Delacroix, Cezanne and Manet extremely influential, as well as his artistic father, Jose Blasco. Through his challenging of convention to his persistent experimentation of concepts he created some of the greatest artworks of the 20th century, such as The Old Guitarist, 1903, Les Demoiselles d’ Avignon, 1907 and his most well-known piece Guernica, 1937. The audiences of Guernica, 1937 are presented with a chilling message of the terrors of war and its traumatic impact on humanity; this is the understood function of Picasso’s iconic painting, to evoke emotional response and educate the public of the event. Picasso wished to express his anti-war message to the people, and what more of an opportunity would he have then being commissioned earlier that year to create an artwork for the 1937 World’s Fair, Paris. After the initial exhibition the work went on tour and has ending up in many differentShow MoreRelatedChapter 33 – Early 20th Century5648 Words   |  23 Pagesforth by Jung and Freud. | |d. |One of the leading proponents of Surrealism was Salvador Dalà ­. | ____ 40. The goal of Dalà ­s paranoiac-critical method was to __________. |a. |portray the art of madmen | |b. |illustrate the sado-masochistic theories of Krafft-Ebing Read MoreLes Demoiselles DAvignon5704 Words   |  23 Pagesconfrontational manner and none are conventionally  feminine. The women appear as slightly menacing and rendered with angular and disjointed body shapes. Two are shown with  African mask-like  faces and three more with faces in the  Iberian  style of Picassos native Spain, giving them a savage aura. In this adaptation of  Primitivism  and abandonment of  perspective  in favor of a flat, two-dimensional  picture plane, Picasso makes a radical departure from traditional European painting. The work is widelyRead MoreViolence on Television Does Not Impact Behavior Essay3474 Words   |  14 Pagesconsensus has been emerging that emphasizes media education, at home and in school, to promote critical thinking by youth in relation to all information and images they receive through the media. AN ALTERNATIVE APPROACH: FOSTERING CRITICAL USE OF THE MEDIA Canadas Media Awareness Network provides resources to parents, teachers, community leaders, and students themselves to promote critical analysis of media content. Teachers can go to its Web site for curriculum materials and lesson plansRead MoreAge of Enlightenment and Century5169 Words   |  21 Pagestwo paintings reflect about the social life of peasants in the sixteenth century and of urban dwellers in the nineteenth century. 9. 91: Between 1815 and 1848 the condition of the laboring classes and the problem of political stability were critical issues in England. Describe and analyze the reforms that social critics and politicians of this period proposed to resolve these problems. 9. 92: Describe and analyze the issues and ideas in the debate in Europe between 1750 and